<div dir="ltr">Thanks everyone, that all gives me some stuff to look into and think about!<div><br></div><div>Christos, some videos will be forthcoming soon! Currently doing a lot of benchmarking and load testing, and want to make sure I have a pretty good idea of performance possibilities and limits before telling the world about them. But the short answer is that I'm able to get really quite good performance with very tight timing running a full 16 track sequencer from Max with all sequencing code in the high priority max thread and sound synthesis handled in Ableton live. And there are a lot of different tradeoffs possible depending on whether one can live with a few ms of timing slop or not. I can get single sample accuracy if needed by running Max at an io vector of 246 or 512 samples, or is slop is acceptable instead, get dead low latency by running Max audio free and just piping to Live. At an rate, the load tests of the last two days have demonstrated that a commercial production rig with all sequencing done in Scheme is eminently doable, even on my 2015 macbook pro. :-)</div><div><br></div><div>iain<br><div><div><br></div><div><br></div></div></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Sat, Apr 10, 2021 at 7:00 AM <<a href="mailto:bil@ccrma.stanford.edu">bil@ccrma.stanford.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">If you want examples of sound synthesis code in s7,<br>
sndlib's clm.c and clm2xen.c might be useful.<br>
sndclm.html is the documentation.<br>
<br>
</blockquote></div>