<div dir="ltr">Thanks Rick, that's great to hear. I have digging into Grace on the to-do pile and look forward to checking out the new release. Part of my motivation for S7 specifically on Max is the possibility of using material and work from the broader algorithmic composition world, and CM/CLM/Grace in particular.<div><br></div><div>iain</div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Sat, Jan 11, 2020 at 9:48 AM Taube, Heinrich K <<a href="mailto:taube@illinois.edu">taube@illinois.edu</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">
<div style="overflow-wrap: break-word;">
Hello Ian You are correct the code for Notes from the Metalevel is not usable the current version of common music (but the concepts of course are).
<div>I do have a C++ app called Grace implemented in JUCE that uses S7 / Sndlib for audio processing. It has lots of examples in both S7 scheme and in a language called Sal that I designed to teach algorithmic processing. As a complete coincidence
I am actually working on a new release of Grace after about 1.5 years of not having time to work on the project at all.</div>
<div>Im pretty close to a usable app again and Ill make an announcement once I think its ready to go.</div>
<div><br>
</div>
<div><br>
</div>
<div>
<div><br>
<div>
<div dir="auto" style="color:rgb(0,0,0);letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration:none">
<div dir="auto" style="color:rgb(0,0,0);letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
<div dir="auto" style="overflow-wrap: break-word;">
<div style="color:rgb(0,0,0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
________________________________</div>
<div style="color:rgb(0,0,0);font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px">
Rick Taube<br>
Chair, Composition/Theory<br>
School of Music<br>
University of Illinois Urbana-Champaign<br>
<a href="mailto:taube@illinois.edu" target="_blank">Email: taube@illinois.edu</a><br>
President, Illiac Software Inc.</div>
<div style="text-align:start;text-indent:0px"><a href="https://harmonia.illiacsoftware.com/" target="_blank">https://harmonia.illiacsoftware.com/</a><br>
Email: <a href="mailto:taube@illiacsoftware.com" target="_blank">taube@illiacsoftware.com</a><br>
<br>
</div>
</div>
</div>
</div>
</div>
<div><br>
<blockquote type="cite">
<div>On Jan 11, 2020, at 11:31 AM, Iain Duncan <<a href="mailto:iainduncanlists@gmail.com" target="_blank">iainduncanlists@gmail.com</a>> wrote:</div>
<br>
<div>
<div dir="ltr">I wonder if anyone on this list is able to comment on whether Rick Taube's book, Notes from the Metalevel, would be useful for learning how others have used scheme in algorithmic composition. I gather from online reviews that the code
is not usable in current versions of CM, but if the code is S7 scheme, would this be a good tutorial for doing work in S7 outside of current CM? If not, anyone have other recos for material on how other composers are using S7 or similar?
<div><br>
</div>
<div>thanks</div>
<div>Iain</div>
</div>
_______________________________________________<br>
Cmdist mailing list<br>
<a href="mailto:Cmdist@ccrma.stanford.edu" target="_blank">Cmdist@ccrma.stanford.edu</a><br>
<a href="https://cm-mail.stanford.edu/mailman/listinfo/cmdist" target="_blank">https://cm-mail.stanford.edu/mailman/listinfo/cmdist</a><br>
</div>
</blockquote>
</div>
<br>
</div>
</div>
</div>
</blockquote></div>