On Feb 8, =
2008, at 12:53 PM, Synthia Payne wrote:
cynthia =
payne has invited you to the iCal event: Music For Teleconcerts, =
scheduled for April 11, 2008 at 11:00 PM (US/Pacific). To accept or =
decline this invitation, click the link =
below.
<iCal-20080208-125300.ics>
=
--Apple-Mail-11-858567949--
From cc at ccrma.Stanford.EDU Wed Feb 13 01:56:10 2008
From: cc at ccrma.Stanford.EDU (Chris Chafe)
Date: Tue, 12 Feb 2008 17:56:10 -0800
Subject: [anet08banff] topics for the Banff ANET Summit
Message-ID: <1202867770.6973.21.camel@cmn15.stanford.edu>
If you are planning to attend (either in person or via teleconference),
please share with the list a topic or two that you'll bring to the
table. I'd like to get these into Banff's website which should be up
next week.
I've already volunteered some folks here, just to get it rolling:
Niels Lund
World Opera Project
St. Lawrence String Quartet
w/ Barry Shiffman, Quintet of the West
Pauline Oliveros
Telematic Circle
Mihir Sakar
Tabla Duos at Distance w/ prediction
Stanford
Beijing / Stanford Pan-Asian Festival
Sarah Weaver
Sound Painting and Compositions
for linked ensembles
Ge Wang
laptop orchestra music
Juan-Pablo Caceres and Alain Renaud
Frequenciliator performances
Pinchas Zukerman
remote master classes
Ken Fields
equipping new venues
Michael Bussiere
Marsville TV
Greg Surges
network music ensembles (with Chris Burns)
Please send any you'd like to add (or delete).
Thanks,
Chris
From rob at ccrma.Stanford.EDU Wed Feb 13 20:45:46 2008
From: rob at ccrma.Stanford.EDU (Robert Hamilton)
Date: Wed, 13 Feb 2008 12:45:46 -0800
Subject: [anet08banff] Re: anet08banff digest, Vol 1 #4 - 1 msg
In-Reply-To: <20080213200004.6212.88638.Mailman@cm-mail.stanford.edu>
References: <20080213200004.6212.88638.Mailman@cm-mail.stanford.edu>
Message-ID: <20080213204423.M53335@ccrma.Stanford.EDU>
I'd be interested in presenting "Networked gaming platforms as musical performance environments"
Rob
On Wed, 13 Feb 2008 12:00:04 -0800, anet08banff-request wrote
> Send anet08banff mailing list submissions to
> anet08banff@ccrma-mail.stanford.edu
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://ccrma-mail.stanford.edu/mailman/listinfo/anet08banff
> or, via email, send a message with subject or body 'help' to
> anet08banff-request@ccrma-mail.stanford.edu
>
> You can reach the person managing the list at
> anet08banff-admin@ccrma-mail.stanford.edu
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of anet08banff digest..."
>
> Today's Topics:
>
> 1. topics for the Banff ANET Summit (Chris Chafe)
>
> --__--__--
>
> Message: 1
> From: Chris Chafe
> To: anet08banff@ccrma.Stanford.EDU
> Date: Tue, 12 Feb 2008 17:56:10 -0800
> Subject: [anet08banff] topics for the Banff ANET Summit
>
> If you are planning to attend (either in person or via
> teleconference), please share with the list a topic or two that
> you'll bring to the table. I'd like to get these into Banff's
> website which should be up next week.
>
> I've already volunteered some folks here, just to get it rolling:
>
> Niels Lund
> World Opera Project
> St. Lawrence String Quartet
> w/ Barry Shiffman, Quintet of the West
> Pauline Oliveros
> Telematic Circle
> Mihir Sakar
> Tabla Duos at Distance w/ prediction
> Stanford
> Beijing / Stanford Pan-Asian Festival
> Sarah Weaver
> Sound Painting and Compositions
> for linked ensembles
> Ge Wang
> laptop orchestra music
> Juan-Pablo Caceres and Alain Renaud
> Frequenciliator performances
> Pinchas Zukerman
> remote master classes
> Ken Fields
> equipping new venues
> Michael Bussiere
> Marsville TV
> Greg Surges
> network music ensembles (with Chris Burns)
>
> Please send any you'd like to add (or delete).
>
> Thanks,
> Chris
>
> --__--__--
>
> _______________________________________________
> anet08banff mailing list
> anet08banff@ccrma-mail.stanford.edu
> http://ccrma-mail.stanford.edu/mailman/listinfo/anet08banff
>
> End of anet08banff Digest
___________________________________________________________
Robert Hamilton
Center for Computer Research in Music and Acoustics (CCRMA)
Department of Music
Stanford University
rob@ccrma.stanford.edu
http://ccrma.stanford.edu/~rob
c: (650) 704-6650
From paulineo at deeplistening.org Wed Feb 13 23:56:49 2008
From: paulineo at deeplistening.org (Pauline Oliveros)
Date: Wed, 13 Feb 2008 18:56:49 -0500
Subject: [anet08banff] Re: anet08banff digest, Vol 1 #4 - 1 msg
In-Reply-To: <20080213200004.6212.88638.Mailman@cm-mail.stanford.edu>
References: <20080213200004.6212.88638.Mailman@cm-mail.stanford.edu>
Message-ID:
------=_Part_20215_16280445.1202947009774
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: 7bit
Content-Disposition: inline
Hi Chris and all,
I will be glad to discuss the Telematic Circle -
http://www.deeplistening.org/site/telematic.
I will be connecting with the conference from the Camargo Foundation in
Cassis FR.
All warm regards and hello from Jean-Pierre Dautricourt.
PO
On Feb 13, 2008 3:00 PM, wrote:
> Send anet08banff mailing list submissions to
> anet08banff@ccrma-mail.stanford.edu
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://ccrma-mail.stanford.edu/mailman/listinfo/anet08banff
> or, via email, send a message with subject or body 'help' to
> anet08banff-request@ccrma-mail.stanford.edu
>
> You can reach the person managing the list at
> anet08banff-admin@ccrma-mail.stanford.edu
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of anet08banff digest..."
>
>
> Today's Topics:
>
> 1. topics for the Banff ANET Summit (Chris Chafe)
>
> --__--__--
>
> Message: 1
> From: Chris Chafe
> To: anet08banff@ccrma.Stanford.EDU
> Date: Tue, 12 Feb 2008 17:56:10 -0800
> Subject: [anet08banff] topics for the Banff ANET Summit
>
> If you are planning to attend (either in person or via teleconference),
> please share with the list a topic or two that you'll bring to the
> table. I'd like to get these into Banff's website which should be up
> next week.
>
> I've already volunteered some folks here, just to get it rolling:
>
> Niels Lund
> World Opera Project
> St. Lawrence String Quartet
> w/ Barry Shiffman, Quintet of the West
> Pauline Oliveros
> Telematic Circle
> Mihir Sakar
> Tabla Duos at Distance w/ prediction
> Stanford
> Beijing / Stanford Pan-Asian Festival
> Sarah Weaver
> Sound Painting and Compositions
> for linked ensembles
> Ge Wang
> laptop orchestra music
> Juan-Pablo Caceres and Alain Renaud
> Frequenciliator performances
> Pinchas Zukerman
> remote master classes
> Ken Fields
> equipping new venues
> Michael Bussiere
> Marsville TV
> Greg Surges
> network music ensembles (with Chris Burns)
>
> Please send any you'd like to add (or delete).
>
> Thanks,
> Chris
>
>
>
> --__--__--
>
> _______________________________________________
> anet08banff mailing list
> anet08banff@ccrma-mail.stanford.edu
> http://ccrma-mail.stanford.edu/mailman/listinfo/anet08banff
>
>
> End of anet08banff Digest
>
--
Pauline Oliveros
Deep Listening institute. Ltd.
Rensselaer Polytechnic Institute
845 704 7954
http://paulineoliveros.us
http://www.deeplistening.org
"What is actually teleported in these experiments, he explained, is not the
particle itself but all the quantum information about the particle."
January 23-May 28, 2008
Artist-in-Residence at the Camargo Foundation in Cassis France
http://www.camargofoundation.org
Tintinnabulate at ICAD07 with Pauline Oliveros
http://youtube.com/watch?v=wJg15PBRTQ0
------=_Part_20215_16280445.1202947009774
Content-Type: text/html; charset=UTF-8
Content-Transfer-Encoding: 7bit
Content-Disposition: inline
Hi Chris and all,
I will be glad to discuss the Telematic Circle - http://www.deeplistening.org/site/telematic.
I will be connecting with the conference from the Camargo Foundation in Cassis FR.
All warm regards and hello from Jean-Pierre Dautricourt.
PO
On Feb 13, 2008 3:00 PM, <
anet08banff-request@ccrma.stanford.edu> wrote:
Send anet08banff mailing list submissions to
anet08banff@ccrma-mail.stanford.edu
To subscribe or unsubscribe via the World Wide Web, visit
http://ccrma-mail.stanford.edu/mailman/listinfo/anet08banff
or, via email, send a message with subject or body 'help' to
anet08banff-request@ccrma-mail.stanford.edu
You can reach the person managing the list at
anet08banff-admin@ccrma-mail.stanford.edu
When replying, please edit your Subject line so it is more specific
than "Re: Contents of anet08banff digest..."
Today's Topics:
1. topics for the Banff ANET Summit (Chris Chafe)
--__--__--
Message: 1
From: Chris Chafe <cc@ccrma.Stanford.EDU>
To: anet08banff@ccrma.Stanford.EDU
Date: Tue, 12 Feb 2008 17:56:10 -0800
Subject: [anet08banff] topics for the Banff ANET Summit
If you are planning to attend (either in person or via teleconference),
please share with the list a topic or two that you'll bring to the
table. I'd like to get these into Banff's website which should be up
next week.
I've already volunteered some folks here, just to get it rolling:
Niels Lund
World Opera Project
St. Lawrence String Quartet
w/ Barry Shiffman, Quintet of the West
Pauline Oliveros
Telematic Circle
Mihir Sakar
Tabla Duos at Distance w/ prediction
Stanford
Beijing / Stanford Pan-Asian Festival
Sarah Weaver
Sound Painting and Compositions
for linked ensembles
Ge Wang
laptop orchestra music
Juan-Pablo Caceres and Alain Renaud
Frequenciliator performances
Pinchas Zukerman
remote master classes
Ken Fields
equipping new venues
Michael Bussiere
Marsville TV
Greg Surges
network music ensembles (with Chris Burns)
Please send any you'd like to add (or delete).
Thanks,
Chris
--__--__--
_______________________________________________
anet08banff mailing list
anet08banff@ccrma-mail.stanford.edu
http://ccrma-mail.stanford.edu/mailman/listinfo/anet08banff
End of anet08banff Digest
--
Pauline Oliveros
Deep Listening institute. Ltd.
Rensselaer Polytechnic Institute
845 704 7954
http://paulineoliveros.us
http://www.deeplistening.org
"What is actually teleported in these experiments, he explained, is not the particle itself but all the quantum information about the particle."
January 23-May 28, 2008
Artist-in-Residence at the Camargo Foundation in Cassis France http://www.camargofoundation.org
Tintinnabulate at ICAD07 with Pauline Oliveros
http://youtube.com/watch?v=wJg15PBRTQ0
------=_Part_20215_16280445.1202947009774--
From abarbosa at porto.ucp.pt Thu Feb 14 08:58:07 2008
From: abarbosa at porto.ucp.pt (=?iso-8859-1?Q?=C1lvaro_Barbosa?=)
Date: Thu, 14 Feb 2008 08:58:07 -0000
Subject: [anet08banff] topics for the Banff ANET Summit
In-Reply-To: <1202867770.6973.21.camel@cmn15.stanford.edu>
Message-ID: <880FC76516FCB644807A5DD42611A6A20C771692@ucpfexh01.ucpcrp.pt>
Hi Chris and Everyone,
I am planning to attend and I would be available to present the latest developments on the "Public Sound Objects Project" (http://www.abarbosa.org/pso)
Cheers,
Alvaro Barbosa
-----Original Message-----
From: anet08banff-admin@ccrma.Stanford.EDU [mailto:anet08banff-admin@ccrma.Stanford.EDU] On Behalf Of Chris Chafe
Sent: quarta-feira, 13 de Fevereiro de 2008 1:56
To: anet08banff@ccrma.Stanford.EDU
Subject: [anet08banff] topics for the Banff ANET Summit
If you are planning to attend (either in person or via teleconference),
please share with the list a topic or two that you'll bring to the
table. I'd like to get these into Banff's website which should be up
next week.
I've already volunteered some folks here, just to get it rolling:
Niels Lund
World Opera Project
St. Lawrence String Quartet
w/ Barry Shiffman, Quintet of the West
Pauline Oliveros
Telematic Circle
Mihir Sakar
Tabla Duos at Distance w/ prediction
Stanford
Beijing / Stanford Pan-Asian Festival
Sarah Weaver
Sound Painting and Compositions
for linked ensembles
Ge Wang
laptop orchestra music
Juan-Pablo Caceres and Alain Renaud
Frequenciliator performances
Pinchas Zukerman
remote master classes
Ken Fields
equipping new venues
Michael Bussiere
Marsville TV
Greg Surges
network music ensembles (with Chris Burns)
Please send any you'd like to add (or delete).
Thanks,
Chris
_______________________________________________
anet08banff mailing list
anet08banff@ccrma-mail.stanford.edu
http://ccrma-mail.stanford.edu/mailman/listinfo/anet08banff
Esta mensagem (incluindo quaisquer anexos) pode conter informação confidencial ou legalmente protegida para uso exclusivo do destinatário. Se não for o destinatário pretendido da mesma, não deverá fazer uso, copiar, distribuir ou revelar o seu conteúdo (incluindo quaisquer anexos) a terceiros, sem a devida autorização. Se recebeu esta mensagem por engano, por favor informe o emissor, por e-mail, e elimine-a imediatamente. Obrigado.
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From cc at ccrma.Stanford.EDU Fri Feb 15 22:22:29 2008
From: cc at ccrma.Stanford.EDU (Chris Chafe)
Date: Fri, 15 Feb 2008 14:22:29 -0800
Subject: [anet08banff] bios
Message-ID: <1203114149.21775.13.camel@cmn15.stanford.edu>
If you are presenting (in person or online), please send Allyson Rogers
(cc'd above) a short bio. She'll include on the website.
Thanks,
Chris
Current topic roster: (more are welcome)
Álvaro Barbosa
Public Sound Objects Project
Robert Hamilton
Networked gaming platforms as musical performance environments
Niels Lund
World Opera Project
St. Lawrence String Quartet
w/ Barry Shiffman, Quintet of the West
Pauline Olveros
Telematic Circle
Mihir Sakar
Tabla Duos at Distance w/ prediction
Stanford
Beijing / Stanford Pan-Asian Festival
Sarah Weaver
Sound Painting and Compositions
for linked ensembles
Ge Wang
laptop orchestra music
Juan-Pablo Caceres and Alain Renaud
Frequenciliator performances
Pinchas Zukerman
remote master classes
________________________________________
From deal at iupui.edu Sun Feb 17 18:14:51 2008
From: deal at iupui.edu (Deal, W. Scott)
Date: Sun, 17 Feb 2008 13:14:51 -0500
Subject: [anet08banff] RE: anet08banff digest, Vol 1 #6 - 1 msg
In-Reply-To: <20080216200005.10708.30554.Mailman@cm-mail.stanford.edu>
References: <20080216200005.10708.30554.Mailman@cm-mail.stanford.edu>
Message-ID: <0830AB5CA200B64DB30434A664D28D3541BC67AF14@iu-mssg-mbx04.ads.iu.edu>
Hello Chris,
I am looking forward to attending the workshop at Banff. Thanks for organizing it. Please find below a proposal for a discussion I could give, plus my bio, as requested.
Sincerely,
Scott Deal
Discussion: The Telematic Collective
Telematic art synthesizes traditional mediums of live music, dance, drama and visual arts with interactive, hypermedia, and performance content in a networked context utilizing various formats of the Internet. The resulting productions connect media-rich spaces and experiences to the real world using modern communication systems to
create powerful and evocative experiences. Both location-based applications (media, performance, and installation events) and distribution-based formats (Internet2 high-speed bandwidth Access Grid and DVTS, HD-SDI, commodity) are employed. Issues for discussion include latency, audio, lighting, staging, resource coordination and comparison of the major Internet delivery modes. Selected software applications will be assessed in the context of artistic and aesthetic considerations. Videos of recent examples will be drawn from educational master classes, clinics, dramatic plays, musical improvisation, as well as through composed, high-precision musical performances whose players span global distances.
Bio
Scott Deal is an active performer of new works whose appearances include venues in North America, Europe and Russia. Known to deliver a “riveting performance”, he as also appeared at the Sub Tropics New Music Festival, May in Miami, and has performed for the College Music Society, Society of Electro-Acoustic Musicians, Society of Composers, and the Percussive Arts Society. Continually inspired by new and emerging artistic technologies, he has been engaged with Internet-based performance art since 2003. In this capacity he has performed at Supercomputing Global, SIGGRAPH, Chicago Calling, Ingenuity Festival and with groups that include ART GRID, Another Language, Digital Worlds Institute and the Helsinki Computer Orchestra. He is the founder of the Telematic Collective, a performance group comprised of a multi-disciplinary team of artists and computer specialists. He is currently a Professor of Music at the Indiana University Purdue University Indianapolis (IUPUI) School of Music and Director of the Donald Tavel Arts and Technology Research Center. Professor Deal is on the faculty of the New England Conservatory Summer Institute for Contemporary Performance Practice and is a Research Affiliate for the Arctic Region Supercomputing Center at the University of Alaska. He holds degrees from the University of Miami, University of Cincinnati College-Conservatory of Music and Cameron University. Formerly, Dr. Deal was a Professor of Music at the University of Alaska Fairbanks.
Scott Deal, DMA
Professor of Music
Director, Donald Tavel Arts Technology Research Center
School of Music, Indiana University Purdue University Indianapolis
http://music.iupui.edu/
http://www.tavelcenter.org/index.html
________________________________________
From: anet08banff-admin@ccrma.Stanford.EDU [anet08banff-admin@ccrma.Stanford.EDU] On Behalf Of anet08banff-request@ccrma.Stanford.EDU [anet08banff-request@ccrma.Stanford.EDU]
Sent: Saturday, February 16, 2008 3:00 PM
To: anet08banff@ccrma.Stanford.EDU
Subject: anet08banff digest, Vol 1 #6 - 1 msg
Send anet08banff mailing list submissions to
anet08banff@ccrma-mail.stanford.edu
To subscribe or unsubscribe via the World Wide Web, visit
http://ccrma-mail.stanford.edu/mailman/listinfo/anet08banff
or, via email, send a message with subject or body 'help' to
anet08banff-request@ccrma-mail.stanford.edu
You can reach the person managing the list at
anet08banff-admin@ccrma-mail.stanford.edu
When replying, please edit your Subject line so it is more specific
than "Re: Contents of anet08banff digest..."
Today's Topics:
1. bios (Chris Chafe)
--__--__--
Message: 1
From: Chris Chafe
To: anet08banff@ccrma.Stanford.EDU
Cc: "Rogers, Allyson"
Date: Fri, 15 Feb 2008 14:22:29 -0800
Subject: [anet08banff] bios
If you are presenting (in person or online), please send Allyson Rogers
(cc'd above) a short bio. She'll include on the website.
Thanks,
Chris
Current topic roster: (more are welcome)
Álvaro Barbosa
Public Sound Objects Project
Robert Hamilton
Networked gaming platforms as musical performance environments
Niels Lund
World Opera Project
St. Lawrence String Quartet
w/ Barry Shiffman, Quintet of the West
Pauline Olveros
Telematic Circle
Mihir Sakar
Tabla Duos at Distance w/ prediction
Stanford
Beijing / Stanford Pan-Asian Festival
Sarah Weaver
Sound Painting and Compositions
for linked ensembles
Ge Wang
laptop orchestra music
Juan-Pablo Caceres and Alain Renaud
Frequenciliator performances
Pinchas Zukerman
remote master classes
________________________________________
--__--__--
_______________________________________________
anet08banff mailing list
anet08banff@ccrma-mail.stanford.edu
http://ccrma-mail.stanford.edu/mailman/listinfo/anet08banff
End of anet08banff Digest
From alain.renaud at qub.ac.uk Tue Feb 26 18:50:00 2008
From: alain.renaud at qub.ac.uk (Alain Renaud)
Date: Tue, 26 Feb 2008 18:50:00 +0000
Subject: [anet08banff] Presentation Info
Message-ID: <9232D636-8BD3-4285-89B8-50DD2694AC54@qub.ac.uk>
--Apple-Mail-5-258817565
Content-Type: text/plain;
charset=ISO-8859-1;
format=flowed;
delsp=yes
Content-Transfer-Encoding: quoted-printable
Hello Chris,
Please find below a more detailed description of what Juan-Pablo and =20
myself will present at the Banff summit. Looking forward to this!
Best,
- Alain
Real Time Wide Area Network Musical Collaborations
The long lasting collaboration between SARC and CCRMA over the network =20=
is highlighted in this discussion. Topics include: remote =20
collaboration, remote recording, multi-channel real time networked =20
audio collaboration, video over IP and distributed musical cues. =20
Systems for for networked improvisation such as the Frequencyliator =20
will be showcased. We will also present audio and video examples of =20
the various events that are taking place between SARC and CCRMA and =20
introduce the Net vs. Net network music collective. Techniques that =20
use the latency as musical devices in its structured improvisations =20
will also be presented.
Bios
Alain B. Renaud is originally from Geneva, Switzerland. Prior to =20
embarking on PhD research in network music performance at the Sonic =20
Arts Research Centre (SARC) in Belfast in 2005, he was head of =20
research for the London-based digital strategy consultancy, Rightscom =20=
from 2001 to 2005. While working in London he gained a MSc. in Music =20
Information Technology from City University (2002-2004) under the =20
supervision of Simon Emmerson. His research, which is sponsored by the =20=
Arts and Humanities Research Council (AHRC) focuses on the development =20=
of networked music performance systems and the impact such systems =20
have on the various music communities. Alain has published several =20
papers on the subject and has organized many events with the aim to =20
introduce networked music performance to the research community as =20
well as the general public. He is also involved in a new Culture 2007 =20=
European Project, CoMedia which aims to introduce network audio =20
performance to a wider audience in Europe.
Juan-Pablo C=E1ceres is a composer, performer and engineer born in =20
Santiago, Chile. He is currently a PhD student in computer music at =20
CCRMA in Stanford University (USA). His work includes instrumental and =20=
electronic pieces, as well as performance of avantgarde rock and pop =20
music, with a albums edited in Europe and America. Juan-Pablo's =20
interests include Network music and performance (he is an active =20
member of the SOUNDWire project), popular experimental music, boundary =20=
pushing computer music (in both directions).
Alain Renaud
Sonic Arts Research Centre (SARC)
Mob: +44.79.00.916.074
Tel. +44 (0)28 90974829
alain.renaud@qub.ac.uk
--Apple-Mail-5-258817565
Content-Type: text/html;
charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable
Hello Chris,
Please find below a more =
detailed description of what Juan-Pablo and myself will present at the =
Banff summit. Looking forward to this!
Best,
- =
Alain
Real Time Wide Area =
Network Musical Collaborations
The long lasting collaboration =
between SARC and CCRMA over the network is highlighted in this =
discussion. Topics include: remote collaboration, remote recording, =
multi-channel real time networked audio collaboration, video over IP and =
distributed musical cues. Systems for for networked improvisation such =
as the Frequencyliator will be showcased. We will also present audio and =
video examples of the various events that are taking place between SARC =
and CCRMA and introduce the Net vs. Net network music collective. =
Techniques that use the latency as musical devices in its structured =
improvisations will also be presented.
Bios
Alain B. Renaud is originally =
from Geneva, Switzerland. Prior to embarking on PhD research in network =
music performance at the Sonic Arts Research Centre (SARC) in Belfast in =
2005, he was head of research for the London-based digital strategy =
consultancy, Rightscom from 2001 to 2005. While working in London he =
gained a MSc. in Music Information Technology from City University =
(2002-2004) under the supervision of Simon Emmerson. His research, which =
is sponsored by the Arts and Humanities Research Council (AHRC) focuses =
on the development of networked music performance systems and the impact =
such systems have on the various music communities. Alain has published =
several papers on the subject and has organized many events with the aim =
to introduce networked music performance to the research community as =
well as the general public. He is also involved in a new Culture 2007 =
European Project, CoMedia which aims to introduce network audio =
performance to a wider audience in Europe.
Juan-Pablo C=E1ceres is a composer, performer and engineer born in =
Santiago, Chile. He is currently a PhD student in computer music at =
CCRMA in Stanford University (USA). His work includes instrumental and =
electronic pieces, as well as performance of avantgarde rock and pop =
music, with a albums edited in Europe and America. Juan-Pablo's =
interests include Network music and performance (he is an active member =
of the SOUNDWire project), popular experimental music, boundary pushing =
computer music (in both directions).